张庆慧艺术个展·Zhang Qinghui Solo Exhibition

张庆慧

1977年 生于山东
2004年 毕业于西安工业大学艺术学院，获学士学位
毕业后任教于山东服装学院
现居北京

Resume

Zhang Qinghui

1977 Born in Shandong
2004 B.A, the Artistic Institute of Polytechnical University of Xi'an
2004- Teaching in the Clothing College of Shandong,
Living in Beijing now

你的心灵是我的天空

　　星转斗移，岁月荏苒，都市却愈显繁华。当车水马龙，灯红酒绿逐渐占据城市的全部，当物欲的膨胀使人们的身躯逐渐丰腴，或许我们更愿意寻找一种方式，远离都市的喧嚣、归于心灵的宁静。

　　归于心灵的宁静？或许对绝大多数人来说这只是一个难以企及的梦想。当今社会，又有谁能真正超然物外、宠辱不惊？当忙碌的身躯整日湮没于尘世喧嚣，心灵何时才能真正得以安宁？

　　 《你的心灵是我的天空》系列便是张庆慧以自己的方式探寻心灵归属的表达。画家以一种独具个人化的造型和图式描绘着自己内心的思绪，直击心灵。画面中没有当代艺术风格中常见的张扬和喧闹，有的却是一份沉静和淡然，独具一种优雅的孤独格调。

　　或许与画家独有的敏感细腻的女性特质有关， 画中的人物多为现代都市女性。当然画家的笔没有简单停留在物象外表的追踪上，更多的则是对人物内在精神的追寻。画中人物或仰天冥想、或低头沉思、或回眸一瞥。此时的她们内心有着怎样的思绪？灵魂有着怎样的诉说？我们似乎明了，却又不得而知。

　　生活用品的出现构建了一个非逻辑化的“真实”空间。这个空间并非现实生活的真实还原，而是一种悖理的、异样的存在。我们不得不在陌生化的状态中和熟知的对象相遇，在我们感觉唐突时，画面却突现了更高的深意内涵。此时它们已不再是简单的生活用品，而更像是一种符号，一种精神寓指。这些物品的介入强化了主体与环境的对立关系，激发了物象的矛盾冲突。画面平和的外表下由此而显得暗潮涌动、富有张力。

　　寂寥的街头、荒寒的原野 、无际的汪洋， 这些看似平常的景致在这里成了画家情感表达的重要载体。真实空间的置换颠覆了人们正常的视觉经验，更是消解了日常家居的传统意义。这使得画面更多了几分荒诞和非现实意味。正是作者这种有意无意的疏离现实，使我们对画面深层意义的探讨有了个更多的可能性。

　　张庆慧在感性的世界中寻找自己的艺术真谛，又在艺术世界中表达着自己的真实情感。她用心的画笔为我们营造了一个既熟悉又陌生的世界。这个世界优雅却不浪漫，孤独但不感伤，平和而不超然。而我们的心灵就在这个奇异的世界里不停的游走、追忆、探寻......

Your Soul is My Sky
With the passage of time, the metropolis becomes much more bustling. When heavy traffic and extravagant feasting and revelry are occupying all of the city gradually, and when the expanding of material desire makes people’s body much plumper gradually, maybe we would like to look for a way which can be far away from urban uproar and return to the peace of soul.
Returning to the peace of soul? Maybe for most of the people, it is a dream that difficult to come true. Who really can hold himself/herself aloof from the world, and not be influenced by honour or disgrace in nowdays? And when the soul can really become peaceful as our busy bodies pass into urban uproar all the day?
The series of “Your Soul is My Sky”  is Zhang Qinghui’s expression through her own way to look for the soul belonging. The artist with a kind of her unique personalised moldings and figures portray her own thought of heart, hitting the mind directly. There are not our familiar publicizing and bustle of contemporary art style in her paintings. But there is a kind of quiet and indifference, having a kind of graceful solitary pattern.
Maybe it is related to the artist particular sensitive and subtle feminality, most of the figures are metropolitan women in the paintings. Certainly, the brush-pencil of the artist is not simply stopping on the tracing of external images, but more is looking for the intrinsic spirit of the figures.
In her paintings, some are looking up to the sky and musing, some are lowering their heads and pondering and some are glancing back.. At at time what are the thoughts in their hearts? And what is their soul telling us? Seem as if we can palpability, but unable to find out.
The appearing of the living goods structures a non-logical “true” room. This room is not restored by the true reality. It is a kind of unreasonable and unusual existence. We have to meet with the acquaintance in the strange state. When we feel abrupt, the frame is suddenly appearing the higher deep connotation. This moment, they are not the simply living goods any more. But more of a symbol, a spiritual moral. The intervention of these goods intensify the antagonistic relations between subject and environment, arousing contradictory conflict in images. Therefrom, under the peaceful outside of the frames appear springing up as undercurrent and full of tension.
Lonesome street, lorn field and unbounded vast body of water, these things which seem like some plain scene become the important carrier to the artist expressing her emotion. The replacement of the true room overthrows the people normal visual experience, especially, it clears up the traditional meaning of daily house living. And it makes the paintings have much more absurd and unrealistic significance. Just the artist alienates the reality by the kind of conscious or unconscious attitude, making us have more probabilities to discuss the deep meaning of the paintings.
Zhang Qinghui looks for herself artistic essence in her perceptual world, as well as expresses her ture feelings in the artistic world. Her careful brush-pencil builds us a familiar and unacquainted world. This world is grace, but not romantic,solitary but not pathos, and peace but not detachedness. Yet in this bizarre world,our soul keeps walking, retrospecting and finding….